Written by Meghan J. Ward
Feature photo by Paul Zizka
You had ideas, dreams, business plans. You had a bucket list of places you wanted to photograph, some gigs booked, a conference you were looking forward to attending. You had a sense of possibility, of growth, of a bright future; that all your hard work was coming to fruition.
Then, COVID-19 changed everything. Everything.
What’s a photographer to do?
Read More “Photography and COVID-19: Thoughts on Weathering the Storm”
We recently had a chance to catch up with OFFBEAT contributor and night, landscape, and adventure photographer, Kahli Hindmarsh, to find out more about her photography business, creative inspiration, and wisdom she’d like to share with new photographers. Originally from Australia, Kahli now resides in Canmore, Alberta, and, naturally, she can usually be found outdoors, exploring and searching for intriguing scenes in interesting light.
Read More “OFFBEAT Contributor Feature: Kahli Hindmarsh”
By Colleen Gara
It was one of those winter days where the snow was falling heavily, the wind was blowing and the visibility was poor. A perfect day to stay inside beside a warm fire with a mug of tea and a good book. So what did I do? I grabbed my camera and headed to the mountains! Ha-ha!
Read More “The Winter Fox – Behind The Image”
By Lizzie Gadd
I’ve heard it said among landscape photographers, “Keep walking until you see what you want to see”. Get past the distracting objects. Go further than the norm. Go the extra mile to find that perfect perspective.
The same sort of mindset can be applied to any type of photography. I remember realizing about eight years ago how much of a difference it makes to take that extra step with each shoot. To come up with ideas on how to bump a photo from mediocre to awesomeness.
Read More “Going The Extra Mile”
By Colleen Gara
My favourite way to photograph wildlife is on foot, whether hiking or snowshoeing, or walking out to a quiet spot in the woods to sit and wait.
But sometimes, circumstances such as the proximity of the animal, type of animal, or weather can prevent me from venturing out too far. This is when my ‘mobile blind’ comes in super handy. A blind is a shelter (usually camouflaged) that is used to observe and photograph wildlife and often I will use my car as a type of blind, allowing me to photograph wildlife both safely and discreetly.
Read More “The Mobile Blind”
For over a year we’ve been working on an exciting new program at OFFBEAT: the Business of Photography. What started as a bit of a pipe dream has blossomed into a beautiful resource for all of you, and we’re finally ready to share it!
Read More “Now Launching: The Business of Photography”
By Dave Brosha
So before I begin, let me just say that I’m totally guilty of something. But as much as this “thing” I’m guilty of seemingly contradicts the title of this article, give me – if you will – a few minutes to explain why it doesn’t.
Read More “It’s Okay If You Give Zero F*cks About Where You Want To Be”
By Lizzy Gadd
When I look at my work now, I admit I do feel very fortunate to have somehow fallen into this niche of ethereal self-portraiture/landscape mixtures that, I humbly also admit, I am kind of proud of.
It was a long process getting there. I don’t really know how it happened. But the moment I found it, it felt right. It’s what speaks to me, being able to express myself, and my love of nature, together. And so I’ve been doing exactly that for nine years now, and it still feels right.
Read More “Finding Your Niche”
By Wayne Simpson
I remember when I first started out using lighting in portraiture – it was nerve-wracking! I recall things going wrong and I would just keep trying things blindly until something worked. Many times, I had no idea what I had changed or why it worked… but it worked and I got the hell out of there as soon as I knew I had what I needed!
Things happen. Lights fail, transmitters don’t communicate, random unwanted light appears in photos. Heck, I’ve seen it all! The difference now is that I have a plan A, B, C, and sometimes D! Knowing various ways to approach a shoot is not only a great way to be sure you don’t let a client down, but it also brings your stress level down BIG TIME!
Read More “Being Prepared is Being Professional”
By Kahli Hindmarsh
One lesson I wish I could have learnt the first time around, and continue to be reminded of over and over, is to get it right the first time, in-camera!
Read More “In-Camera vs. Post”