Being Prepared is Being Professional

By Wayne Simpson

I remember when I first started out using lighting in portraiture – it was nerve-wracking! I recall things going wrong and I would just keep trying things blindly until something worked. Many times, I had no idea what I had changed or why it worked… but it worked and I got the hell out of there as soon as I knew I had what I needed!

Things happen. Lights fail, transmitters don’t communicate, random unwanted light appears in photos. Heck, I’ve seen it all! The difference now is that I have a plan A, B, C, and sometimes D! Knowing various ways to approach a shoot is not only a great way to be sure you don’t let a client down, but it also brings your stress level down BIG TIME!

Offbeat, OFFBEAT, OFFBEAT Photography Community, Easter Island Workshop, Easter Island 2020

Five Faces of Enigmatic Easter Island

By OFFBEAT
All photography by Paul Zizka

There are few places on the planet that possess the same sense of mystery and wonder as Easter Island. Rapa Nui, as it’s also known, will surprise you at every turn, from the scale of the ancient Moai carvings (“big heads”) that adorn the island, to the diversity of the landscape. Here you’ll find rugged coastlines, jaw-dropping volcanic formations, and peaceful grasslands that grace the interior. Wild horses rule the land while birdlife soars above.

Kyle McDougall OFFBEAT Photo Storytelling

What Are You Trying to Say?

By Kyle McDougall

What are you trying to say?

A question that I revisit often. It grounds me and gets me back on track whenever I’m pulled in different directions during this wild creative journey. But maybe even more importantly, the answer to that question plays a huge role in helping me make decisions in the field and later on while back home processing.

The Role of Discomfort in Photography

I have long been convinced that putting up with momentary discomfort – even misery – can often lead to more compelling images.

Many times, finding a better composition can be achieved by taking the shoes off and shocking the feet for a second, or bushwhacking for a couple of minutes, or walking uphill for 50 metres. The vast majority of photographers can physically accomplish those things, but they shy away from getting out of their comfort zone for a moment. And I believe that going that extra mile is what makes the difference between a good image and a powerful one, and by extension, between a good photographer and a much better one.

Discomfort is very underrated in photography. I bet it’s one of the main limiting factors for a lot of people, whether they’re aware of it or not.

Finding Opportunity in Creative Ruts

By Elizabeth Gadd 

Creative ruts.

We all experience them. (If you don’t… you’re probably not human and I need to know your secret. Seriously.)

Some ruts last only a few days. Some are much longer and more intense. I often experience a 2-3 month hiatus in my work every year, usually during the late winter to early spring months.

10 Tips for Taking Photos from Airplanes

In our OFFBEAT Community, we post a variety of content – from educational resources for all genres of photography, to tips, opportunities for critique, and photo challenges for our members. This is just a sample from our content that usually gets posted ‘behind the scenes’ in our private online community. Curious about joining? Check out all the details and benefits here.


I have no doubt that a lot of us will fly this year, and most of the time it’ll be on a plane, going from A to B, rather than on a pricey heli-tour. While a bird’s-eye view provides interesting photographic opportunities, if you have ever tried to take photos from a plane you’ll know that an in-flight photo session can be quite challenging.