Words and Images by Dave Brosha
As far as photography terms goes, the word generalist is about as unsexy as it comes. Professional Adventure Photographer: now that’s a label with some real-life “ooh” and “aah” factor. Boudoir Photographer: instant visions of scantily-clad people very comfortable in their skin. Even Industrial Photographer brings visions of football-field size shiny processing plants, being able to wear a safety harness while shooting off some elevated platform or heading into the deeps of the Earth, photographing underground mining with a hard hat and a cap-lamp. That’s some cool photography, right there. Right?
Read More “In Defence of the Generalists”
All images by Curtis.
“My favourite images are often created on the edge of discomfort.”
OFFBEAT recently had a chance to catch up with OFFBEAT Contributor, Curtis Jones. Always entertaining and inspiring, Curtis fills us in on his relationship with photography, his tips for beginners, overcoming challenges, how to get out of creative ruts, and more!
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By Maggie Hood
Choosing a location for a portrait shoot can set the tone and dictate the whole outcome of a shoot. The right location will fit the desired mood, have great light, and create an environment where clients can relax. Few things are more frustrating than shooting in terrible light in a busy spot where subjects are distracted or feeling like they are being watched by bystanders. Discovering locations in your area that fit your style, have great light, and provide a relaxed environment is important for portrait photographers. In my experience, clients generally are open to the photographer’s suggestions on where to shoot and sometimes only give a location style preference (i.e rustic vs modern). Having a small bank of location ideas to share with clients makes it easier and allows you to produce solid, consistent results for your clients.
Read More “The Continual Location Hunt”
By Ashley Soeder
In past articles, my focus has been on photographing moments within my own home. People I am familiar with, in spaces I know, in areas I can move and manipulate to my liking. Although I don’t take on a huge amount of client sessions it is still something that I feel not only passionate about but something that has helped me grow as a photographer in ways I can’t quite get from shooting solely personal work. Client family photography work is the thing for me that almost ended before it even really started. A self-proclaimed introvert, socially awkward, observing in the background. My idea of a family photographer was someone the exact opposite of all those things.
“Client work isn’t for me. I’m not very good at it. It brings unnecessary stress into my life. I’m not doing it. My focus will be on personal work, and I’m okay with that” – Ashley circa 2018
Read More “A Guide to Family Photography for the Introverted Photographer”
All images by Wayne Simpson.
OFFBEAT recently had a chance to catch up with OFFBEAT Contributor and incredibly talented “dignified portrait” photographer, Wayne Simpson, to find out more about his photography business, creative inspiration, and wisdom he’d like to share with new photographers.
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By Wayne Simpson
I remember when I first started out using lighting in portraiture – it was nerve-wracking! I recall things going wrong and I would just keep trying things blindly until something worked. Many times, I had no idea what I had changed or why it worked… but it worked and I got the hell out of there as soon as I knew I had what I needed!
Things happen. Lights fail, transmitters don’t communicate, random unwanted light appears in photos. Heck, I’ve seen it all! The difference now is that I have a plan A, B, C, and sometimes D! Knowing various ways to approach a shoot is not only a great way to be sure you don’t let a client down, but it also brings your stress level down BIG TIME!
Read More “Being Prepared is Being Professional”