By Ashley Soeder
In past articles, my focus has been on photographing moments within my own home. People I am familiar with, in spaces I know, in areas I can move and manipulate to my liking. Although I don’t take on a huge amount of client sessions it is still something that I feel not only passionate about but something that has helped me grow as a photographer in ways I can’t quite get from shooting solely personal work. Client family photography work is the thing for me that almost ended before it even really started. A self-proclaimed introvert, socially awkward, observing in the background. My idea of a family photographer was someone the exact opposite of all those things.
“Client work isn’t for me. I’m not very good at it. It brings unnecessary stress into my life. I’m not doing it. My focus will be on personal work, and I’m okay with that” – Ashley circa 2018
Read More “A Guide to Family Photography for the Introverted Photographer”
By Curtis Jones
Your skin tingles with the almost imperceptible drop in temperature as you step out from the forest canopy. A low growl rises on a damp wind alluding to something powerful, something primal just out of view. With every step, you feel anticipation building in your chest, mirroring the energy of the waves formed miles off the coast. Gulls surf turquoise surges, pitching with each new push; taking flight just long enough to wait out the biggest of rollers, before settling back down for another set. Somewhere on the horizon, a storm is building. You know, even before the brooding clouds move in, you can smell the change in the air. Breaking over a low rise you catch the first glimpse of your saltwater quarry. With the sun hanging low, yellow light dances over the dark undulating water, giving it the appearance of liquid gold. The sea has many tales to tell, what will yours be?
Read More “6 Tips for Stronger Seascapes”
By Dave Brosha
The longer you’re in photography, the more you train your eye to look for clean compositions and the more you think about what NOT to include in your images, rather than what to include. Most of us tend to include way too much in our images when we start photography, with no clear, concise point of interest of the subject.
A challenge you can give yourself in any situation – no matter what genre of photography you love shooting – is to ask, before pressing the shutter: What do I want to express with this image? Is it the emotion? The story? The contrast? Something specifically beautiful or powerful within the scene?
Read More “Look for Clean and Simple”
by Kahli Hindmarsh
There’s nothing better than seeing the sky explode with a colourful sunrise and knowing it was worth getting out of bed early for. But a lot of the time it can feel like a bit of a gamble, will it or won’t it light up. As fun as it is losing hours of sleep, driving to the location only to be met with dull/overcast conditions… there are some pretty reliable tricks you can use to ensure you get it right, more often.
Read More “14 Tips for Capturing Beautiful Sunrises/Sunsets”
All images by Wayne Simpson.
OFFBEAT recently had a chance to catch up with OFFBEAT Contributor and incredibly talented “dignified portrait” photographer, Wayne Simpson, to find out more about his photography business, creative inspiration, and wisdom he’d like to share with new photographers.
Read More “OFFBEAT Contributor Feature: Wayne Simpson”
By Paul Zizka
What are the best tricks for editing my photos of the northern lights?
It’s a frequently asked question that I get, so I thought I’d share a few tips! I find it’s so easy to make a mess out of aurora shots. Looking back at old images, I often went overboard with the sliders. I now prefer an approach to editing that is not as heavy-handed.
Read More “Best Tips for Editing Images of Northern Lights”
By Colleen Gara
It was one of those winter days where the snow was falling heavily, the wind was blowing and the visibility was poor. A perfect day to stay inside beside a warm fire with a mug of tea and a good book. So what did I do? I grabbed my camera and headed to the mountains! Ha-ha!
Read More “The Winter Fox – Behind The Image”
By Colleen Gara
My favourite way to photograph wildlife is on foot, whether hiking or snowshoeing, or walking out to a quiet spot in the woods to sit and wait.
But sometimes, circumstances such as the proximity of the animal, type of animal, or weather can prevent me from venturing out too far. This is when my ‘mobile blind’ comes in super handy. A blind is a shelter (usually camouflaged) that is used to observe and photograph wildlife and often I will use my car as a type of blind, allowing me to photograph wildlife both safely and discreetly.
Read More “The Mobile Blind”
By Lizzy Gadd
When I look at my work now, I admit I do feel very fortunate to have somehow fallen into this niche of ethereal self-portraiture/landscape mixtures that, I humbly also admit, I am kind of proud of.
It was a long process getting there. I don’t really know how it happened. But the moment I found it, it felt right. It’s what speaks to me, being able to express myself, and my love of nature, together. And so I’ve been doing exactly that for nine years now, and it still feels right.
Read More “Finding Your Niche”
By Wayne Simpson
I remember when I first started out using lighting in portraiture – it was nerve-wracking! I recall things going wrong and I would just keep trying things blindly until something worked. Many times, I had no idea what I had changed or why it worked… but it worked and I got the hell out of there as soon as I knew I had what I needed!
Things happen. Lights fail, transmitters don’t communicate, random unwanted light appears in photos. Heck, I’ve seen it all! The difference now is that I have a plan A, B, C, and sometimes D! Knowing various ways to approach a shoot is not only a great way to be sure you don’t let a client down, but it also brings your stress level down BIG TIME!
Read More “Being Prepared is Being Professional”