By Wayne Simpson
I remember when I first started out using lighting in portraiture – it was nerve-wracking! I recall things going wrong and I would just keep trying things blindly until something worked. Many times, I had no idea what I had changed or why it worked… but it worked and I got the hell out of there as soon as I knew I had what I needed!
Things happen. Lights fail, transmitters don’t communicate, random unwanted light appears in photos. Heck, I’ve seen it all! The difference now is that I have a plan A, B, C, and sometimes D! Knowing various ways to approach a shoot is not only a great way to be sure you don’t let a client down, but it also brings your stress level down BIG TIME!
Read More “Being Prepared is Being Professional”
By Kahli Hindmarsh
One lesson I wish I could have learnt the first time around, and continue to be reminded of over and over, is to get it right the first time, in-camera!
Read More “In-Camera vs. Post”
By Elena Bazini
‘Even walls fall down.’
I’ve been thinking a lot lately about my comfort zone.
Read More “Even Walls Fall Down: An Essay on Finding Creative Self”
All photography by Paul Zizka
There are few places on the planet that possess the same sense of mystery and wonder as Easter Island. Rapa Nui, as it’s also known, will surprise you at every turn, from the scale of the ancient Moai carvings (“big heads”) that adorn the island, to the diversity of the landscape. Here you’ll find rugged coastlines, jaw-dropping volcanic formations, and peaceful grasslands that grace the interior. Wild horses rule the land while birdlife soars above.
Read More “Five Faces of Enigmatic Easter Island”
By Kyle McDougall
What are you trying to say?
A question that I revisit often. It grounds me and gets me back on track whenever I’m pulled in different directions during this wild creative journey. But maybe even more importantly, the answer to that question plays a huge role in helping me make decisions in the field and later on while back home processing.
Read More “What Are You Trying to Say?”
By Kahli Hindmarsh
When I first started to take photos, one of my biggest hurdles I faced was figuring out how to take what was in front of my camera and turn it into a compelling image.
That should be the easy part, right? Find an interesting subject, point your camera, press the shutter and boom! Not quite… I was visiting these amazing places, but when I looked at my images, all I saw was “tourist” style snapshots. They lacked meaning and interest. They were cluttered and messy. They didn’t tell a story.
Read More “Thinking Beyond a Snapshot: 12 Key Components to Consider”
“One of the most rewarding parts of what I do now as a professional photographer is playing a part, ever so small, in helping people connect with their creative side and immerse in the wilderness, and encourage them to tell their own stories and share their own view of the world.”
Read More “OFFBEAT Storyteller: Paul Zizka”
“I call myself a professional photographer, but really that means so many things. I feel like I’m a storyteller. I’m an artist. I’m a documentarian. I’m many things wrapped up into one.”
Read More “OFFBEAT Storyteller: Dave Brosha”
I have long been convinced that putting up with momentary discomfort – even misery – can often lead to more compelling images.
Many times, finding a better composition can be achieved by taking the shoes off and shocking the feet for a second, or bushwhacking for a couple of minutes, or walking uphill for 50 metres. The vast majority of photographers can physically accomplish those things, but they shy away from getting out of their comfort zone for a moment. And I believe that going that extra mile is what makes the difference between a good image and a powerful one, and by extension, between a good photographer and a much better one.
Discomfort is very underrated in photography. I bet it’s one of the main limiting factors for a lot of people, whether they’re aware of it or not.
Read More “The Role of Discomfort in Photography”
By Elizabeth Gadd
We all experience them. (If you don’t… you’re probably not human and I need to know your secret. Seriously.)
Some ruts last only a few days. Some are much longer and more intense. I often experience a 2-3 month hiatus in my work every year, usually during the late winter to early spring months.
Read More “Finding Opportunity in Creative Ruts”