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A Guide to Family Photography for the Introverted Photographer

By Ashley Soeder

In past articles, my focus has been on photographing moments within my own home. People I am familiar with, in spaces I know, in areas I can move and manipulate to my liking. Although I don’t take on a huge amount of client sessions it is still something that I feel not only passionate about but something that has helped me grow as a photographer in ways I can’t quite get from shooting solely personal work. Client family photography work is the thing for me that almost ended before it even really started. A self-proclaimed introvert, socially awkward, observing in the background. My idea of a family photographer was someone the exact opposite of all those things. 

“Client work isn’t for me. I’m not very good at it. It brings unnecessary stress into my life. I’m not doing it. My focus will be on personal work, and I’m okay with that” – Ashley circa 2018

Look for Clean and Simple

By Dave Brosha

The longer you’re in photography, the more you train your eye to look for clean compositions and the more you think about what NOT to include in your images, rather than what to include. Most of us tend to include way too much in our images when we start photography, with no clear, concise point of interest of the subject.

A challenge you can give yourself in any situation – no matter what genre of photography you love shooting – is to ask, before pressing the shutter: What do I want to express with this image? Is it the emotion? The story? The contrast? Something specifically beautiful or powerful within the scene?

northern lights shimmer through cloudy skies and over a mountain range bordering a frozen lake

OFFBEAT Contributor Feature: Kahli Hindmarsh

We recently had a chance to catch up with OFFBEAT contributor and night, landscape, and adventure photographer, Kahli Hindmarsh, to find out more about her photography business, creative inspiration, and wisdom she’d like to share with new photographers. Originally from Australia, Kahli now resides in Canmore, Alberta, and, naturally, she can usually be found outdoors, exploring and searching for intriguing scenes in interesting light.

two old Volkswagon vans sit abandoned in a forest with the surrounding greenery seemingly swallowing them.

The Ongoing Guide to Getting Unstuck

By Kyle McDougall

For this article today, I figured I’d switch things up a little bit and write about a topic that I’ve become very familiar with throughout my career, and also one that I’m constantly trying to find new solutions for.

That is—how to get unstuck when you’re feeling burnout, lacking creativity, or even just getting bored.

Finding Your Niche

By Lizzy Gadd

When I look at my work now, I admit I do feel very fortunate to have somehow fallen into this niche of ethereal self-portraiture/landscape mixtures that, I humbly also admit, I am kind of proud of.

It was a long process getting there. I don’t really know how it happened. But the moment I found it, it felt right. It’s what speaks to me, being able to express myself, and my love of nature, together. And so I’ve been doing exactly that for nine years now, and it still feels right.

Kyle McDougall OFFBEAT Photo Storytelling

What Are You Trying to Say?

By Kyle McDougall

What are you trying to say?

A question that I revisit often. It grounds me and gets me back on track whenever I’m pulled in different directions during this wild creative journey. But maybe even more importantly, the answer to that question plays a huge role in helping me make decisions in the field and later on while back home processing.

Thinking Beyond a Snapshot: 12 Key Components to Consider

By Kahli Hindmarsh

When I first started to take photos, one of my biggest hurdles I faced was figuring out how to take what was in front of my camera and turn it into a compelling image.

That should be the easy part, right? Find an interesting subject, point your camera, press the shutter and boom! Not quite… I was visiting these amazing places, but when I looked at my images, all I saw was “tourist” style snapshots. They lacked meaning and interest. They were cluttered and messy. They didn’t tell a story.