OFFBEAT recently had a chance to sit down with OFFBEAT contributor and Prince Edward Islander Stephen DesRoches to pick his brilliant photographer and web designer brain and learn more about his photo journey. Turns out, he is a fountain of knowledge and as down-to-earth as they come…
What are some tips that you would give to a beginner photographer?
Study but don’t compare. Ask questions but don’t copy. Think about why instead of how. Many will learn so much more simply by doing and practicing and we could all spend a little less time wishing we would have created the image we saw on social media. Find a good resource that teaches the basic principles of how the aperture relates to the shutter speed and then go out and create, and then create some more. Ignore the marketing and advertising promising new equipment will make you better and understand that all you really need is the motivation to actually create. Buy only to solve problems that you have self-identified.
By Colleen Gara
My favourite way to photograph wildlife is on foot, whether hiking or snowshoeing, or walking out to a quiet spot in the woods to sit and wait.
But sometimes, circumstances such as the proximity of the animal, type of animal, or weather can prevent me from venturing out too far. This is when my ‘mobile blind’ comes in super handy. A blind is a shelter (usually camouflaged) that is used to observe and photograph wildlife and often I will use my car as a type of blind, allowing me to photograph wildlife both safely and discreetly.
For over a year we’ve been working on an exciting new program at OFFBEAT: the Business of Photography. What started as a bit of a pipe dream has blossomed into a beautiful resource for all of you, and we’re finally ready to share it!
By Dave Brosha
So before I begin, let me just say that I’m totally guilty of something. But as much as this “thing” I’m guilty of seemingly contradicts the title of this article, give me – if you will – a few minutes to explain why it doesn’t.
By Wayne Simpson
I remember when I first started out using lighting in portraiture – it was nerve-wracking! I recall things going wrong and I would just keep trying things blindly until something worked. Many times, I had no idea what I had changed or why it worked… but it worked and I got the hell out of there as soon as I knew I had what I needed!
Things happen. Lights fail, transmitters don’t communicate, random unwanted light appears in photos. Heck, I’ve seen it all! The difference now is that I have a plan A, B, C, and sometimes D! Knowing various ways to approach a shoot is not only a great way to be sure you don’t let a client down, but it also brings your stress level down BIG TIME!
By Kahli Hindmarsh
One lesson I wish I could have learnt the first time around, and continue to be reminded of over and over, is to get it right the first time, in-camera!
All photography by Paul Zizka
There are few places on the planet that possess the same sense of mystery and wonder as Easter Island. Rapa Nui, as it’s also known, will surprise you at every turn, from the scale of the ancient Moai carvings (“big heads”) that adorn the island, to the diversity of the landscape. Here you’ll find rugged coastlines, jaw-dropping volcanic formations, and peaceful grasslands that grace the interior. Wild horses rule the land while birdlife soars above.