By Colleen Gara
It was one of those winter days where the snow was falling heavily, the wind was blowing and the visibility was poor. A perfect day to stay inside beside a warm fire with a mug of tea and a good book. So what did I do? I grabbed my camera and headed to the mountains! Ha-ha!
By Kyle McDougall
For this article today, I figured I’d switch things up a little bit and write about a topic that I’ve become very familiar with throughout my career, and also one that I’m constantly trying to find new solutions for.
That is—how to get unstuck when you’re feeling burnout, lacking creativity, or even just getting bored.
OFFBEAT recently had a chance to sit down with OFFBEAT contributor and Prince Edward Islander Stephen DesRoches to pick his brilliant photographer and web designer brain and learn more about his photo journey. Turns out, he is a fountain of knowledge and as down-to-earth as they come…
What are some tips that you would give to a beginner photographer?
Study but don’t compare. Ask questions but don’t copy. Think about why instead of how. Many will learn so much more simply by doing and practicing and we could all spend a little less time wishing we would have created the image we saw on social media. Find a good resource that teaches the basic principles of how the aperture relates to the shutter speed and then go out and create, and then create some more. Ignore the marketing and advertising promising new equipment will make you better and understand that all you really need is the motivation to actually create. Buy only to solve problems that you have self-identified.
By Lizzie Gadd
I’ve heard it said among landscape photographers, “Keep walking until you see what you want to see”. Get past the distracting objects. Go further than the norm. Go the extra mile to find that perfect perspective.
The same sort of mindset can be applied to any type of photography. I remember realizing about eight years ago how much of a difference it makes to take that extra step with each shoot. To come up with ideas on how to bump a photo from mediocre to awesomeness.
By Colleen Gara
My favourite way to photograph wildlife is on foot, whether hiking or snowshoeing, or walking out to a quiet spot in the woods to sit and wait.
But sometimes, circumstances such as the proximity of the animal, type of animal, or weather can prevent me from venturing out too far. This is when my ‘mobile blind’ comes in super handy. A blind is a shelter (usually camouflaged) that is used to observe and photograph wildlife and often I will use my car as a type of blind, allowing me to photograph wildlife both safely and discreetly.
By Dave Brosha
So before I begin, let me just say that I’m totally guilty of something. But as much as this “thing” I’m guilty of seemingly contradicts the title of this article, give me – if you will – a few minutes to explain why it doesn’t.
By Wayne Simpson
I remember when I first started out using lighting in portraiture – it was nerve-wracking! I recall things going wrong and I would just keep trying things blindly until something worked. Many times, I had no idea what I had changed or why it worked… but it worked and I got the hell out of there as soon as I knew I had what I needed!
Things happen. Lights fail, transmitters don’t communicate, random unwanted light appears in photos. Heck, I’ve seen it all! The difference now is that I have a plan A, B, C, and sometimes D! Knowing various ways to approach a shoot is not only a great way to be sure you don’t let a client down, but it also brings your stress level down BIG TIME!