By Colleen Gara
It was one of those winter days where the snow was falling heavily, the wind was blowing and the visibility was poor. A perfect day to stay inside beside a warm fire with a mug of tea and a good book. So what did I do? I grabbed my camera and headed to the mountains! Ha-ha!
By Kyle McDougall
For this article today, I figured I’d switch things up a little bit and write about a topic that I’ve become very familiar with throughout my career, and also one that I’m constantly trying to find new solutions for.
That is—how to get unstuck when you’re feeling burnout, lacking creativity, or even just getting bored.
By Colleen Gara
My favourite way to photograph wildlife is on foot, whether hiking or snowshoeing, or walking out to a quiet spot in the woods to sit and wait.
But sometimes, circumstances such as the proximity of the animal, type of animal, or weather can prevent me from venturing out too far. This is when my ‘mobile blind’ comes in super handy. A blind is a shelter (usually camouflaged) that is used to observe and photograph wildlife and often I will use my car as a type of blind, allowing me to photograph wildlife both safely and discreetly.
For over a year we’ve been working on an exciting new program at OFFBEAT: the Business of Photography. What started as a bit of a pipe dream has blossomed into a beautiful resource for all of you, and we’re finally ready to share it!
By Dave Brosha
So before I begin, let me just say that I’m totally guilty of something. But as much as this “thing” I’m guilty of seemingly contradicts the title of this article, give me – if you will – a few minutes to explain why it doesn’t.
By Lizzy Gadd
When I look at my work now, I admit I do feel very fortunate to have somehow fallen into this niche of ethereal self-portraiture/landscape mixtures that, I humbly also admit, I am kind of proud of.
It was a long process getting there. I don’t really know how it happened. But the moment I found it, it felt right. It’s what speaks to me, being able to express myself, and my love of nature, together. And so I’ve been doing exactly that for nine years now, and it still feels right.
By Wayne Simpson
I remember when I first started out using lighting in portraiture – it was nerve-wracking! I recall things going wrong and I would just keep trying things blindly until something worked. Many times, I had no idea what I had changed or why it worked… but it worked and I got the hell out of there as soon as I knew I had what I needed!
Things happen. Lights fail, transmitters don’t communicate, random unwanted light appears in photos. Heck, I’ve seen it all! The difference now is that I have a plan A, B, C, and sometimes D! Knowing various ways to approach a shoot is not only a great way to be sure you don’t let a client down, but it also brings your stress level down BIG TIME!
By Kahli Hindmarsh
One lesson I wish I could have learnt the first time around, and continue to be reminded of over and over, is to get it right the first time, in-camera!
By Elena Bazini
‘Even walls fall down.’
I’ve been thinking a lot lately about my comfort zone.
By Kyle McDougall
What are you trying to say?
A question that I revisit often. It grounds me and gets me back on track whenever I’m pulled in different directions during this wild creative journey. But maybe even more importantly, the answer to that question plays a huge role in helping me make decisions in the field and later on while back home processing.