By Lizzie Gadd
I’ve heard it said among landscape photographers, “Keep walking until you see what you want to see”. Get past the distracting objects. Go further than the norm. Go the extra mile to find that perfect perspective.
The same sort of mindset can be applied to any type of photography. I remember realizing about eight years ago how much of a difference it makes to take that extra step with each shoot. To come up with ideas on how to bump a photo from mediocre to awesomeness.
For over a year we’ve been working on an exciting new program at OFFBEAT: the Business of Photography. What started as a bit of a pipe dream has blossomed into a beautiful resource for all of you, and we’re finally ready to share it!
By Lizzy Gadd
When I look at my work now, I admit I do feel very fortunate to have somehow fallen into this niche of ethereal self-portraiture/landscape mixtures that, I humbly also admit, I am kind of proud of.
It was a long process getting there. I don’t really know how it happened. But the moment I found it, it felt right. It’s what speaks to me, being able to express myself, and my love of nature, together. And so I’ve been doing exactly that for nine years now, and it still feels right.
By Kahli Hindmarsh
One lesson I wish I could have learnt the first time around, and continue to be reminded of over and over, is to get it right the first time, in-camera!
By Elena Bazini
‘Even walls fall down.’
I’ve been thinking a lot lately about my comfort zone.
All photography by Paul Zizka
There are few places on the planet that possess the same sense of mystery and wonder as Easter Island. Rapa Nui, as it’s also known, will surprise you at every turn, from the scale of the ancient Moai carvings (“big heads”) that adorn the island, to the diversity of the landscape. Here you’ll find rugged coastlines, jaw-dropping volcanic formations, and peaceful grasslands that grace the interior. Wild horses rule the land while birdlife soars above.
By Kyle McDougall
What are you trying to say?
A question that I revisit often. It grounds me and gets me back on track whenever I’m pulled in different directions during this wild creative journey. But maybe even more importantly, the answer to that question plays a huge role in helping me make decisions in the field and later on while back home processing.
By Kahli Hindmarsh
When I first started to take photos, one of my biggest hurdles I faced was figuring out how to take what was in front of my camera and turn it into a compelling image.
That should be the easy part, right? Find an interesting subject, point your camera, press the shutter and boom! Not quite… I was visiting these amazing places, but when I looked at my images, all I saw was “tourist” style snapshots. They lacked meaning and interest. They were cluttered and messy. They didn’t tell a story.
“One of the most rewarding parts of what I do now as a professional photographer is playing a part, ever so small, in helping people connect with their creative side and immerse in the wilderness, and encourage them to tell their own stories and share their own view of the world.”
“I call myself a professional photographer, but really that means so many things. I feel like I’m a storyteller. I’m an artist. I’m a documentarian. I’m many things wrapped up into one.”