By Kahli Hindmarsh
One lesson I wish I could have learnt the first time around, and continue to be reminded of over and over, is to get it right the first time, in-camera!
All photography by Paul Zizka
There are few places on the planet that possess the same sense of mystery and wonder as Easter Island. Rapa Nui, as it’s also known, will surprise you at every turn, from the scale of the ancient Moai carvings (“big heads”) that adorn the island, to the diversity of the landscape. Here you’ll find rugged coastlines, jaw-dropping volcanic formations, and peaceful grasslands that grace the interior. Wild horses rule the land while birdlife soars above.
By Kyle McDougall
What are you trying to say?
A question that I revisit often. It grounds me and gets me back on track whenever I’m pulled in different directions during this wild creative journey. But maybe even more importantly, the answer to that question plays a huge role in helping me make decisions in the field and later on while back home processing.
By Kahli Hindmarsh
When I first started to take photos, one of my biggest hurdles I faced was figuring out how to take what was in front of my camera and turn it into a compelling image.
That should be the easy part, right? Find an interesting subject, point your camera, press the shutter and boom! Not quite… I was visiting these amazing places, but when I looked at my images, all I saw was “tourist” style snapshots. They lacked meaning and interest. They were cluttered and messy. They didn’t tell a story.
I have long been convinced that putting up with momentary discomfort – even misery – can often lead to more compelling images.
Many times, finding a better composition can be achieved by taking the shoes off and shocking the feet for a second, or bushwhacking for a couple of minutes, or walking uphill for 50 metres. The vast majority of photographers can physically accomplish those things, but they shy away from getting out of their comfort zone for a moment. And I believe that going that extra mile is what makes the difference between a good image and a powerful one, and by extension, between a good photographer and a much better one.
Discomfort is very underrated in photography. I bet it’s one of the main limiting factors for a lot of people, whether they’re aware of it or not.
By Elizabeth Gadd
We all experience them. (If you don’t… you’re probably not human and I need to know your secret. Seriously.)
Some ruts last only a few days. Some are much longer and more intense. I often experience a 2-3 month hiatus in my work every year, usually during the late winter to early spring months.
Words by Stephen DesRoches
Feature image by Paul Zizka
My introduction to OFFBEAT began in a hotel room in Whitehorse, Yukon, after a workshop in Kluane National Park and Reserve. It was from this hotel room that Dave Brosha and Paul Zizka launched and announced the first version of the OFFBEAT website to the world – the beginnings of a community of photographers geared towards pushing each other further.